

Movie Name: Vanda Devullu
Release Date: June 19, 2026
Starring: Vijay Antony, Swasika, Ajay Dhishan, Lijomol Jose, Karunaas, Sakthi, Kavya Anil
Director: Sasi
Producer: Meera Vijay Antony
Music Director: Balaji Sriram
Cinematographer: Viji Satheesh
Editor: Harish Yuvaraj
Vanda Devullu reunites the successful Bichagadu combination of Vijay Antony and director Sasi. The story revolves around Vaasavi (Swasika), a single mother who raises her sons Baskar (Ajay Dhishan) and Vivek (Sakthi) after facing many struggles in life.
At one point, Vaasavi decides to remarry and start a new chapter, but her son Baskar strongly opposes her decision due to social beliefs. Years later, he realises his mistake and wants his mother to find happiness again. However, by that time, Vaasavi changes her mind. How Baskar convinces his mother, how society reacts, and how Yedu Kondalu (Vijay Antony) becomes part of their lives forms the rest of the story.
Swasika delivers a powerful and emotional performance as Vaasavi. She carries the entire film with her mature acting, expressions, and natural screen presence. Her portrayal of a mother dealing with loneliness and societal pressure is the biggest highlight of the movie.
The film’s emotional concept inspired by real-life situations connects well with audiences. Director Sasi handles the sensitive subject of companionship and second chances in life with sincerity.
Ajay Dhishan performs well in his role, while Vijay Antony’s entry in the second half brings freshness and emotional strength to the narrative. The scenes between Vijay Antony and Swasika stand out as some of the best moments in the film.
The biggest drawback of Vanda Devullu is its slow-paced first half. Several scenes focus repeatedly on the same emotional conflict, which makes the narration feel stretched.
The screenplay could have been stronger considering the emotional depth of the subject. Some key moments lack the required intensity and fail to create a bigger impact.
Several supporting characters do not get enough importance despite having potential. The unnecessary comedy portions during emotional sequences also disturb the serious mood of the film.
Director Sasi succeeds in presenting human emotions and relationships realistically but could have worked more on the screenplay and pacing.
Viji Satheesh’s cinematography beautifully captures the village backdrop and adds a realistic feel to the story. Harish Yuvaraj’s editing could have been sharper as a few portions feel lengthy. Balaji Sriram’s music and background score support the emotional moments. The Telugu dialogues are effective and match the film’s mood.
Overall, Vanda Devullu is an emotional family drama powered by Swasika’s impressive performance and a meaningful storyline. Vijay Antony adds value in the second half, which has some touching moments. However, the slow first half, predictable screenplay, and lengthy scenes reduce the overall impact. Despite its flaws, the film remains a decent one-time watch for viewers who enjoy emotional dramas.














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